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2D to 3D: Artist Room Studies, Jennifer Hawkins Hock

To emphasize a captured moment in the daily life and environment of these artists is my goal ; to spotlight their appreciation for the art f...

Showing posts with label toile la la book. Show all posts
Showing posts with label toile la la book. Show all posts

Saturday, March 28, 2015

Heard: Sound Search - Fresh Frequency

"80s sounds - Casey Kasem, American Top 40...sometimes made it to my ears. It could be quite difficult to identify songs heard on the radio...requiring a real hunt to attain them. Those Billboard hits though - I realized, were surprisingly not the edgy, intriguing sounds drawing me in like sirens' song. Those seemed from another planet altogether. Devo - Whip It, M - Pop Muzik, Gary Numan - Cars, Stevie Wonder - Higher Ground, Marvin Gaye - Got to Give It Up...to find these things required a knowledge of genre - I had no idea...but if it made my feet and shoulders move - I liked the sound.
Rockabilly, I knew - was a nod to times past...I liked Stray Cat Strut. Then there was something untamed - an almost animal snarl - out of someone like Billy Idol. Having been surrounded by country and bluegrass music, and practicing classical and hymns on the piano - something like The Clash... Rock the Casbah, Should I Stay or Should I Go - was undefinable...out of this world. I loved it! It was like pounding the keys with fully-random abandon, full-blast - with all 10 fingers - while pressing the amplification pedal full-throttle...all systems go.
The first time I saw MTV - in a hotel, on a high-school class excursion, I stayed up all night and still remember seeing Cyndi Lauper's Girls Just Want to Have Fun - and being blown away by the choreography in Michael Jackson's Beat It...so supple, tough, and super-magnetic.
Pink Floyd - was, for me, aurally sedative, producing a feeling of calm concentration.
Songs I liked even more than I thought possible...the videos enhancing the mood:  The Cure's Lullaby - and Siouxsie and the Banshee's Peek-A-Boo. Robert Smith's hush-hush voice and rimmed eyes...spiders, regimental spectral musicians - all proceeding at a slow, heavy-heartbeat pace. Peek-A-Boo's accordion, with fringed flapper Siouxsie flirting, darkly Betty Boop - in a song so cacophonous - raising such a hullabaloo. The effect of the music and fashion, drama and dance combined - there's nothing like it, but my excitement must be the same sort experienced by viewers who witnessed the transition from silent cinema to talkies, or those first observers of Busby Berkeley's singing, dancing beauties.
Although I loved the modern sounds of synthesized and electronic music, the smooth, bright call of brass instruments - saxophone, trumpet - really captivated me too...Herb Alpert - also, old jazz - Duke Ellington's The Mooche.
After the harpsichord and organ of classical music, I often listened to The Doors - also a lot of organ...finding it interesting to hear an instrument spanning centuries - think of Ian Anderson's very elaborate flute-tootings...straight out of the Renaissance/Baroque eras.
The voice too, is an instrument...think of Bobby McFerrin - or Led Zeppelin's Robert Plant.
My ears were famished...starved for the fresh sounds of new or international artists, but my spot of the earth received only radio and television static - no MTV.
There was instant attraction to the music blasting out of a boombox belonging to a boy at school. During class breaks, he break-danced - he and a friend spinning on their hands and heads - then freezing motion...motorized robots. Cruising from class to class - on his shoulder he carried the boombox - big as a shoebox for boots...its staccato sound charging the atmosphere. George Clinton's Atomic Dog woofed, tweeted, barked, and bow-wowed its way out of those blasting beatbox speakers.
The Go-Go's and Blondie I loved, singing along to all the Go-Go's songs - and feeling intense admiration for Blondie's cool, syncopated Rapture.
Thomas Dolby's Europa and the Pirate Twins: Seeing it today, I think how ahead of things he was - with his time travel retro-science device and his Victorian/Edwardian appearance. I loved Dolby's Europa in the 80s, but wasn't sure how to choreograph it - becoming almost short-circuited with enthusiasm...when playing it, I did experimental hula hoop - because to me, the song felt circular.
Pop Muzik - by M, produced a bizarre effect as well - to Pop Muzik I did handstands, headstands, cartwheels, backbends, and roundoffs. Music energized me."
Excerpt from 80s Fashion Design, Book 1: Drawn - a collection of scrapbook and sketchbook entries, trend and pop culture observations and mementos - written and illustrated by Toile La La.

Wednesday, January 14, 2015

Toile La La Book - Part Two.

Windblown.

From that library...I was transported...

...the Pierrot - with its black-rimmed eyes and red lips...

What fragrance would a plaid flower create...p.48 80s Fashion Design Book 1: Drawn, Toile La La



Now, even the sound of the word bling seems too flashy.


Dancers, acrobats, and aerialists modelling clothes would be sublime.

Occasionally, unexpected drawings...mysterious creations - just materialized for no apparent reason.


Sometimes the drawings are like ghosts...

apparitions, shadows, or reflections...

poets, artists, flappers.
Part one is here, at Toile La La.

Sunday, March 16, 2014

Observation of Fashion Parallels.

New Wave, sampling, Hip Hop, graffiti, world music, MTV... these are some of the catalysts which yielded such interesting avant garde and asymmetrical fashions of the 80s.  If you take a close look around you - on the catwalk, in magazines - many of those 80s trends appeal still today.   Particularly via blazers and wingtip/brogue/oxford shoes, menswear for women has enjoyed a resurgence for a good while now.  Also stemming from the 80s are still-percolating vintage, goth, and steampunk trends.

These are things I discuss in my 80s Fashion Design Book 1: Drawn - available at Etsy.  An excerpt:
Toile La La collage featuring late 80s magazine tearsheet. 80s Fashion Design Book 1: Drawn.
This image appears on page 34 of the 77-page zine, and on page 23 of the 120-page book.  The book includes much more commentary via endnotes - as well as inspiration lists, whereas the zine leans toward the visual - with larger images and much less text.

"Pre-Vintage:  Before widespread enthusiasm for vintage... this was an image - marked Tim Jenkins - cut from a magazine and glued into my small, black late 80s/early 90s sketch/scrapbook.  For me, it signals the advent or cusp of America's fascination with vintage finds.  The ensemble seems simultaneously goth and flapper-esque, not quite steampunk.  Her backpack/purse is the touch of youth and modernity.  I like how she is running about in her fringe and hat and long, knotted strand of beads on a muddy, blustery, grey day. 
Thrift or vintage dressing... didn't really catch on until the late 80s.  Vintage and recycled clothing became popular, trendy, closer to the 90s.... .
The ideas behind many of the clothes we wore in the 80s were not new - but the clothes were.  Here though, the vintage look seems authentic, giving this image an uncommon quality or sense of otherness.  It's a thought-out, not thrown-on, ensemble... the dark bits from history with a speck-of-color bow."