- Was popular reception of the hennin a phenomenon resulting from travel in distant lands during the Crusades?
- Did the hennin stem from a Byzantine influence?
- Was wearing the hennin a step toward looking more worldly and well-traveled... an effort to stand out and gain attention?
- Did hennin-wearers adopt the trend subconsciously or was there a conscious and well-defined reason for choosing to wear it?
- Was the pointed hat a "trickle-down" trend - originating with holy men and women, then borrowed by society?
One thought: During the Renaissance, arts and literature - even higher learning - were more accessible to members of the church and religious sects. Simultaneously, much emphasis was placed on construction of very large and grand churches. Perhaps the hennin was not only a subconscious reflection of steeples and spires - but also of the search for higher knowledge. The hennin - a heavenward hat housing the divinity of the mind.
Another thought: Why do we later see a similar hat shape worn by people associated with magical powers?
Albrecht Durer. |
Collegiale Saint Quentin. |
Domenico Quaglio die Kathedral Reims. |
Albrecht Durer Innsbruck. |
Albrecht Durer Aix La Chapelle. |
Jean Fouquet Aix La Chapelle. |
Rogier van der Weyden - for a Carthusian monastery near Brussels, 1445. |
Leonardo da Vinci Ginevra Benci, 1474. |
Maurice Quentin de la Tour - City of Saint-Quentin. |
Jan van Eyck. |
Fouquet - Charles IV and Marie Luxembourg. |
Hans Holbein, 1500. |
Hans Memling, 1480. |
Hugo van der Goes - Maria Porinari, 1476. |
Kaiser Maximilian I and Mary of Burgundy. |
Petrus Christus, 1450-60. |
Margaret of York, Duchess Consort of Burgundy - 1468. |
Rogier van der Weyden Seven Sacraments - detail. |
Petrus Christus, 1470. |
Vittore Carpaccio - St. Stephen. |
Rogier van der Weyden. |
Michael Pacher - Mary of Burgundy, 1490. |
Rogier van der Weyden - Young Woman in a Pinned Hat, 1435. |
Pisanello - Princess of the House of Este, 1449. |